Weatherlings

These cut-out creatures inhabit the ambiguous space between weather systems and living organisms. Constructed from seawater, sand, found beach glass, pigment, and acrylic on paper, each creature's irregular form is pierced by voids that function as breathing apparatuses, existing in perpetual exchange with their atmospheric environment.

I create blob-beings—cloud formations achieving sentience, meteorological phenomena caught mid-mutation, their permeable membranes pulsing with striations and respiratory channels, hovering between coagulation and dispersal, between body and pure chromatic event.

These amateur weather creatures drift as fragile, floating things—vulnerable accumulations of pigment and breath that collapse the distance between observation and intimacy.


Weatherscapes

These works on paper emerge from a controlled dissolution process. Working with seawater, sand, salt, and acrylic, the elemental forces co-author each piece—the salt crystallizing, the water evaporating, pigments blooming and bleeding across the surface in patterns that echo tidal movements, atmospheric pressure systems, and geological formations. The resulting abstractions hover between the documentary and the invented, capturing something essential about flux itself: ice fields cracking, blood pooling, clouds dispersing. Each work records a specific collision between material and time, their titles—Trace, Dissolve, Turn—naming the verbs that shaped them rather than what they depict.